Brotherly love. Theo van Gogh gave Vincent money, advice, advocated for his brother's work, guided him into a career in art. Theo's widow Jo ultimately helped secure van Gogh's eventual posthumous recognition as one of the greatest artists of all time. Uncover the stories from their letters in this exhibit.. Van Gogh in Arles. New York: Metropolitan Museum of Art, 1984. See on MetPublications. Pickvance, Ronald. Van Gogh in Saint-Rémy and Auvers. New York: Metropolitan Museum of Art, 1986. See on MetPublications. Selected and edited by Ronald de Leeuw. The Letters of Vincent van Gogh. London: Penguin, 2006. Stein, Susan Alyson, ed. Van Gogh: A.

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In 1956's Lust for Life, Vincente Minnelli captured Vincent van Gogh's antisocial mania and his harum-scarum dealings with the mainstream art world.With 1990's Vincent & Theo, Robert Altman fixed his attention on the swirl of meretricious forces surrounding the doomed artist, and in typical Altmanesque fashion, the ways in which the talons of commerce make fools of those with integrity.. The lamp was van Gogh's symbol of love and recalls the light of the gospel which he once brought into the huts of the peasants and miners. In the context of The Potato Eaters, the lamp represents a nontraditional symbol of the "Ray of Light from on High," which van Gogh saw in the literature of Victor Hugo and the paintings of Corot and Millet.